A photograph of a painting (fresco) of 'The Turks disembark at Marsaxlokk' which depicts scenes from the Great Siege of Malta in 1565 displayed at the Palace of the Grand Master in Valletta.

A photograph of an etching by Matteo Perez d'Aleccio (1547-1616) depicting an aerial view of the north-east of Malta, from St Elmo and Marsamxett Harbour on the left and Marsasirocco (Marsaxlokk) on the right. The Turkish army make their main landings with the foreground depicting the Turkish camp in Marsa, their main encampment throughout the siege. Between St Elmo and Marsaxlokk squadrons of troops engage with a party of Christian knights.

A photograph of an etching by Matteo Perez d'Aleccio (1547-1616) depicting an aerial view of the north-east of Malta, from St Elmo and Marsamxett Harbour on the left and Marsasirocco (Marsaxlokk) on the right. The Turkish army make their main landings with the foreground depicting the Turkish camp in Marsa, their main encampment throughout the siege. Between St Elmo and Marsaxlokk squadrons of troops engage with a party of Christian knights.

Salvatore Davì continued to describe how he adapted to life in Malta and how he managed to integrate with the Maltese. His memories about the British, Valletta, Marsaxlokk and the Dom Mintoff administration were positive. However, contraband was a problem.

Describing the events of 29th October 1989, where Alison got injured after she fell on the parvis ‘zuntier’ of the Church in Marsaxlokk on her day out with Gruppetta after a mass

Describing the events of 29th October 1989, where Alison got injured after she fell on the parvis ‘zuntier’ of the Church in Marsaxlokk on her day out with Gruppetta after a mass