Lampedusa
40 Archival description results for Lampedusa
Irene Sestili was leading the theme 'The Malta-Lampedusa Connection'.
Giovanni Fragapane drawing Our Lady of Lampedusa for interviewer Irene Sestili, in order to explain the restoration works on the statue. This image is related to the interview from 01:41:00 onwards. Irene Sestili was leading the theme 'The Malta-Lampedusa Connection'.
In the last part of the interview Ettore Raffi described two pleasant experiences which happened during his life at sea.
In the interview Ettore Raffi shared memories regarding trade between Lampedusan fishermen, sailors and the Maltese. The Lampedusans used to consider Malta as a rich island because of the availability of tobacco, sugar, chocolate and bars of soap. He recalled relations between Maltese, Italian and British sailors, as well as the nightlife in Valletta, particularly related to Strait Street, and Maltese women. Ettore Raffi gave us his opinion about Maltese culture, the period between 1964-1979, the Dom Mintoff government and the changes after Independence.
In this part of the interview Ettore Raffi spoke about his travels as a sailor in different parts of the world: Tunisia, Panama, Mississippi and the Mediterranean.
In the interview, Ettore Raffi spoke about his experiences of life at sea and his voyages to Tunisia, Panama, Mississippi and the Mediterranean. He travelled to Malta three times during different periods. He shared memories regarding trade between Lampedusan fishermen and sailors and the Maltese. The Lampedusans used to consider Malta as a rich island because of the availability of tobacco, sugar, chocolate and bars of soap. He recalled relations between Maltese, Italian and British sailors, as well as the nightlife in Valletta, particularly related to Strait Street, and Maltese women. Ettore Raffi gave us his opinion about Maltese culture, the period between 1964-1979, the Dom Mintoff government and the changes after Independence.
The blessing of the keys is part of the celebration of "La Consegna delle Chiavi" to the statue of Our Lady of Lampedusa.
The interview started with a short introduction about Carmelo La Magra's childhood and background. The focus shifted to the religious feast of Our Lady of Lampedusa: symbolism, procession, relations between church and mayor (secular authority), organisation, etc. In the last part of the interview, La Magra described the history of the Sanctuary and its symbolic place on the Island: a place of refuge, freedom, safety and a place where Islam and Catholicism coexisted peacefully for centuries.
The interview started with a short introduction about Carmelo La Magra's childhood and background. The focus shifted to the religious feast of Our Lady of Lampedusa: symbolism, procession, relations between church and mayor (secular authority), organisation, etc. In the last part of the interview, La Magra described the history of the Sanctuary and its symbolic place on the island: a place of refuge, freedom, safety and a place where Islam and Catholicism coexisted peacefully for centuries.
This painting represents the Arco di Tito and was painted in Rome.