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This photographic collection was deposited at the National Archives of Malta through an agreement signed on the 19th August 2022 by and between the National Archives of Malta and Allied Newspapers Limited of Times of Malta. All the photographic material is being digitised and a catalogue is being created. The aim is to preserve this collection for future generations and to make it accessible.

Documents were held by the Rizzo-Marich family. They contain records related to the V. Marich and Co. business which was located at 44, Strada Teatro, Valletta. The depositors: Doreen Curmi and Louise Zammit La Rosa are the grand daughters of the last owner of the business: Arthur Rizzo Marich.

Messrs V. Marich and Co. were of of the oldest manufacturers of hand-made cigarettes as well as cigar and tobacco merchants, exporting tobacco products to severakl countires. The business was not just a shop but also a smoking divan and a popular rendevouz point for Maltese gentry, naval and military senior officers.

16 photographic prints (19 in total incl. recto and verso)

Transparencies used in the publication 'The Siege of Malta 1565'.

The Collection consists of photographic prints, newspaper cutouts, hand-written notes, and short stories, etc, belonging to actor and play-write Karmenu Gruppetta (20 December 1922 - 20 February 1977). Collection donated by his niece, Sylvana Cassar. Gruppetta took part in theatre (shows such as Francis Ebejer's 'Hadd fuq ilBejt'), plays, TV programmes, and also took part in films filmed in Malta such as 'Pulp' (1972). The photos contain head shots, stage photos, childhood and family photos, etc. The collection also includes a portfolio of newspaper cut-outs, article mentions, scripts, etc.

2023-061:
A 1926 passport of Lawrence Grixti.
One photographic album dated 26 November 1961. Wedding photos of Mary and Alfred, the parents of the depositor.
One photographic album with family photos of the depositor. Photos showing various generations of the family during family activities, outings and portraits.

2024-074:
A number of images and ephemera belonging to Mr. Alfred Laferla, donated by his daughter Ms. Jacqueline Formosa. Items contain content on Mr Laferla at work, staff party, family images, a newspaper cutout, tag and driving license.

This PDE consist of photographs taken by Mr. Harold Frederick Rodgers (born 1911, died1979) while stationed in Malta in 1938-1939. Rodgers joined the RAF in his late 20s and was a trained photographer, very often doing aerial photography.

103 B&W photographs in an album with annotations under every image.

Photos contain religious iconography, feast bands, group portraits, and 1 image includes Dom Mintoff viewing a religious banquet set-up.

12 x 35mm mounted slides of Carnival in Valletta from 1969, and 3 x 35 mounted slides from Rabat feast in 1973 and 1977.

1 digital surrogate of printed photograph containing father of Henry Cachia (second from left, standing). Photo was taken during filming of 'Pulp' in Malta in 1972. Photo includes actor Michael Rooney (second from right). Photo includes distant views of Torri l-Ahmar, Mellieha.

Photographs taken by Alfred Camilleri and his brother(s). 44 positive prints and 20 negatives.

Subject of photographs: Funeral of Nerik Mizzi, Demonstartion in favour of Archbishop Gonzi, Maltese chaplain visiting Maltese soldiers in Germany, procession in Floriana, funeral in Floriana, Petrol Station, Malta Independence Day, Floriana Football Club in Gozo, and photographs of Floriana.

The Public Memory Archive contains oral history interviews; fieldwork notes; photographs and ephemera relating to different themes concerning 20th-century Maltese history. Carried out by students and researchers at the University of Malta, the material corresponds with the following themes: women's memories of childbirth; natural and herbal medicine; health and hygiene; reminiscences of the fisherfolk’s survival at sea; recollections of a generation of “factory girls”; nursing and caring at home and in the neighbourhood; survival strategies of the labouring poor; provisions and care of the body; shelter, nutrition and survival during war. The team assigned to the MEMORJA project, at the National Archives of Malta, is responsible for the conversion of this material from analogue to digital format. This is for long-term preservation and access, which involves recording appropriate descriptive, structural and administrative (including technical) metadata.

The collection covers the period from the 1890s onwards following the advent of photography in Malta. Most of the records consist of photographic prints, some mounted on cardboard. In few cases the archive holds glass plates, negatives, or slides.

MEMORJA is the oral, sound and visual archive of the National Archives of Malta (NAM). Our mission is to record life stories from people and groups who are underrepresented in the historical record. The roots of the project lie in the National Memory Project (NMP), initiated in 2004, followed by collaboration with the Public Memory Archive (PMA) at the University of Malta. Established in 2017, MEMORJA has now developed as the principal depositor of our national and public memory.

MEMORJA employs advanced methods in oral history, ethnography and cutting-edge archival approaches to collect, record, preserve and make accessible individual and shared histories passed on orally, visually and through sound. We are interested in the diversity of individual memories, life histories, community experiences and traditions, indigenous knowledge and shared historical events of the Maltese people.

MEMORJA’s oral history-trained staff and volunteers carry out continuous ethnographic fieldwork in the community, enriching our archives with a panoply of memories and recollections, personal photographs, documents, ephemera, artifacts, audio and video recordings and film reels which are generously donated, preserved and made available to all. The ubiquitous presence of our fieldworkers carrying out research and oral history interviews in the community has made the NAM ever more visible. This has generated extensive friendships and a unique relationship of trust between the National Archives and the public.

The project covers different themes related to life in, and experiences of, Malta during the twentieth century. The first five themes within which the research began are: Experiencing War: Survival, Shelter and Food; Migration: the British in Malta; Public Administration; Lampedusa and Malta Connections, and Bell-Ringing. There are many records in different formats, including analogue and digital audio recordings; photographic material (both print and digital); digital video recordings; original and digitised ephemera (diaries, press cuttings, books etc.) and written accounts in electronic format.

The Law Courts Miscellania is a fond containing loose documentation arising from the juridical activities of the various courts and tribunals operating in the Maltese islands during the Order of St John Period, from the arrival of the Order in Malta in 1530 to their departure in 1798. The cases heard before these courts provide valuable information about different aspects of general, commercial and military life in Malta. Most documentation in this collection is in Latin and Italian, but documentation in other languages such as Spanish, French, Arabic and Greek is occasionally included.

The Guljana Letard-Ciantar contains data retrieved from Church Archives, scattered across the Maltese Islands, regarding baptisms, marriages and deaths. This collection also contains copies of notarial deeds, benefits, legacies, wills and concessions on titles of Maltese and Gozitan nobility.

This photographic collection has photographs related to the building of churches in Malta, portraits of both influential and unknown individuals, religious processions and activities, political activities and civil works, among others.